Cuba

May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Mar 24, 2026 — Novelist Silvia Moreno-Garcia programs a series of films by Roberto Gavaldón, Julio Bracho, Emilio Fernández, and Luis Buñuel.

Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

May 30, 2025 — The week wraps with an overlooked gem starring Jamie Lee Curtis, a new issue of Cineaste, and conversations with Lisa Lu and Takashi Miike.

Nov 12, 2024 — The festival’s second edition reasserts its emphasis on “showcasing and advocating for personal, ambitious regional cinema.”

Jul 31, 2024 — Vancouver’s Cinematheque presents parallel series of American and international classics and outliers.

Jun 19, 2024 — A masterpiece from the golden age of Mexican cinema, Emilio Fernández’s film is a prime example of the cabaretera film, an offshoot of the popular “prostitute melodrama” genre.

Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.

Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...