Children of the Sea

Nov 22, 1999 — Amarcord presents a scathing satirical critique of Italian provincial life during the 1930s, the height of the fascist period (1922–43). In this era, Mussolini’s dictatorship enjoyed its greatest popular support. While Fellini’s depiction of the provincial world under fascism provides...

Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.

Aug 28, 2025 — Made for public television, this moving vérité documentary about three terminally ill cancer patients is one of the purest expressions of the director’s career-long preoccupation with human fragility.

Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.

Jan 20, 2026 — A smash hit at the box office, this electrifying adventure film established the team of director Michael Curtiz and actors Errol Flynn and Olivia de Havilland as one of the most iconic creative partnerships in Hollywood.

Feb 24, 2015 — Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

Feb 13, 2008 — We’ve been getting some questions about the three children’s classics from Janus Films. One good customer writes: “I’m wondering what the situation with The Red Balloon, White Mane, and Paddle to the Sea is. They are listed on the Criterion...

Oct 19, 2021 — The works of great artists have a way of reactivating fundamental questions about the nature and potential of an art form. In the case of filmmaker Lynne Ramsay, these questions revolve around a word that has been used routinely to...

Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.

Apr 25, 2023 — In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.