Cela s’appelle l’aurore

Apr 16, 2024 — Unfolding in elaborately choreographed long takes, this sublime adaptation of László Krasznahorkai’s novel The Melancholy of Resistance captures the weight of time and the mood of fascism with a haunting palpability.

Apr 8, 2024 — ND/NF introduces New Yorkers to two family dramas, a Bulgarian thriller, and a Russian road movie.

Mar 21, 2024 — Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.

Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

Dec 11, 2023 — Justine Triet’s film and star Sandra Hüller are also favorites for critics in Los Angeles, Boston, and Washington, D.C.

Dec 5, 2023 — While 2023 is sorted, Sight and Sound invites critics and filmmakers to revisit some of their all-time favorites.

Dec 1, 2023 — The best-of-2023 listing begins, plus: Abel Gance, Elisabeth Subrin, Pedro Costa, and Park Chan-wook.

Oct 27, 2023 — We’re revisiting Infernal Affairs, Lisandro Alonso’s Los muertos, and some of the first reviews posted at Reverse Shot.