Boulevard

Oct 21, 1991 — Written under the German occupation of France, and produced with the sanction of occupation censors, Marcel Carné’s masterpiece began shooting on August 17, 1943, at the Victorine Studios in Nice.

Jan 11, 1989 — Thursday, March 2, 1944—the United States is in its third year of war with the Axis powers. More than 12 million Americans are fighting on various fronts; the German armies are being repulsed at Anzio and the newspapers have large...

Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.

Oct 8, 2021 — From Richard Linklater to Isabelle Huppert, some of cinema’s most beloved figures have shown their commitment to the art form by operating venues with stellar repertory programs.

Mar 23, 2021 — “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

Aug 18, 2020 — A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...

Jul 5, 2019 — This week, we look back on the making of If...., black filmmakers in the 1990s, and the golden age of Mexican cinema.

Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.

Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.