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Blind War

Feb 1, 2011 This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique. A new life experience is in the air today, a perception that explodes the form of the linear narrative and renders...

Jan 18, 2011 By 1963, when he started filming Shock Corridor on a rented soundstage, Samuel Fuller had come ruefully and puckishly to view himself as a “Lindy,” a diminutive for Charles Lindbergh designating a prostitute who, like the famous aviator, operates solo,...

Oct 19, 2010 With Seven Samurai, Akira Kurosawa set out to debunk some of the more inflated myths that had attached themselves to the samurai.

Jan 26, 2010 Today, most people’s knowledge of George Bernard Shaw doesn’t extend much further than his classic comedy Pygmalion. But the legendary playwright and theater critic (1856–1950) wrote more than sixty plays. In February, we at the Criterion Collection will do our part...

Aug 19, 2009 I Am Waiting: Port of Call The year: 1957. The city: Yokohama, not far from the piers. The sound of the tide softly lapping against stones in the darkness, cubes of black ice in a tumbler of foam. Night. Rain....

May 11, 2009 Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...

May 5, 2009 Every second of David Fincher’s uncanny drama—every shot and every cut, every gesture and every facial expression, every turn in its narrative and every visual effect—is devoted to the contemplation of time’s passing.

Mar 16, 2009 This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.

Jul 23, 2007 It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.

May 22, 2006 Luis Buñuel’s merciless satire concerns the smallness of our vision of progress and our narrow attempts to achieve it through rational or moralistic planning.

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