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Beauty from Pain

Jan 5, 2016 Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.

Apr 10, 2013 Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.

Aug 18, 2003 One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.

Oct 8, 2025 We remember an artist, teacher, and filmmaker who unleashed realms of depth from two-dimensional images.

Aug 29, 2023 Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

Can’t Turn Away

The Daily

Apr 7, 2023 Along with the new Cinema Scope, we’re reading Raúl Ruiz’s diaries and conversations with Agnès Godard and Gregg Araki.

Nov 16, 2021 Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.

Sep 4, 2019 The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.

Jun 1, 2016 With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”

Oct 24, 2005 When Samurai Rebellion premiered, on May 27, 1967, the original Japanese title was Joiuchi—hairyo tsuma shimatsu, which means something like Rebellion—Receive the Wife. This title indicates the two concerns of the film: the social impact of an unheard-of act of...

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