The Criterion Collection
Apr 12, 2011 — After Army of Shadows, Melville and I stayed in touch . . . One day, he announced: “I’m going to make a new film. You’re not composing the score for it; I’ve contacted Michel Legrand . . .” Of course, I was disappointed....
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
Essays
Aug 20, 2007 — Luis Buñuel’s only work to be devoted entirely to Catholic dogma itself examines the six primary mysteries of the faith and the objections (or heresies, depending on your view) they have inspired.
Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...
Essays
May 25, 1992 — Cecil B. DeMille’s spectacle turned out to be the silent screen’s most elaborate realization of “the greatest story ever told.”
Essays
Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.