The Criterion Collection
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.
Short Takes
Nov 11, 2016 — Last night, we were heartbroken to learn of the passing of Leonard Cohen at the age of eighty-two. A trailblazing musician who started out as a poet and novelist, Cohen established himself as one of the world’s most influential singer-songwriters,...
Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.
Essays
Jun 30, 2016 — In Olivier Assayas’s 2014 film Clouds of Sils Maria, Juliette Binoche and Kristen Stewart play out a story centered on the complexities of female relationships, the making and undoing of boundaries between people, and our anxieties about the passage of...
Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...
Features
Dec 28, 2014 — In person, Sam was a blunt-nosed nonconformist, small of stature but forever leading with his Cuban cigar.
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.
Features
Oct 4, 2013 — This fascinating first contact between Roberto Rossellini and Ingrid Bergman kicked off one of cinema’s greatest—and most controversial—love affairs.
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.