The Criterion Collection
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.
Feb 12, 2013 — The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.
Sep 13, 2011 — Hollywood has been importing talented European filmmakers at least since the early twenties, when Victor Sjöström and Ernst Lubitsch heeded the siren wail of Tinseltown resources, and their work there has tended to quickly obscure the cultural memory of the...
Essays
May 3, 2011 — Ingmar Bergman’s exquisite carnal comedy turns a set of boudoir farce conventions into lyrical poetry.
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.
Feb 19, 2007 — For a director whose vision is so frequently called pessimistic, Mikio Naruse’s drama exhibits a lightness of touch, deft and coolly understated, like its cocktail jazz score.
Essays
Jul 25, 2005 — Seijun Suzuki’s drama sees sexuality as a potent anarchic force that, in its implacable selfishness, brushes aside any sort of order or discipline.
Essays
Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema
Essays
Aug 19, 2002 — René Clair’s musical comedy comprises a window on a particular lost black and white neverworld—bouncy with melody, soaked in spring light, wistful about the conflicted relationship between serendipity and love.