The Criterion Collection
Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
The Daily
Aug 18, 2023 — This week we’re revisiting After Hours and other ’80s greats and the oeuvres of Yasuzo Masumura and François Truffaut.
The Daily
Feb 25, 2020 — A philosophical debate running nearly three and a half hours has opened the Berlinale’s new Encounters competition.
May 29, 2015 — French filmmaker Olivier Assayas has directed fifteen features, including Cold Water, Irma Vep, Demonlover, Summer Hours, Carlos, and Clouds of Sils Maria.Photo by Grant Delin
Jul 21, 2009 — Jean-Luc Godard’s essay follows twenty-four hours in Juliette’s life, beginning and ending in the evening in the apartment she shares with her husband and two young children.
Jun 9, 2009 — “It’s worth noting that I have not seen the majority of the films in the collection (giving me hundreds of hours of great stuff to look forward to!),” says Joe Swanberg. “But of the many that I have seen, the...
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...