Back To Search

Where the Crawdads Sing

Jun 26, 2000 Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...

Hard Boiled

Essays

May 5, 1998 John Woo’s last film made in Hong Kong before his emigration to the U.S. reflects the city's anxieties and state of crisis throughout the decade.

Odd Man Out

Essays

Dec 4, 1995 While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.

Osaka Elegy

Essays

Jun 5, 1995 Kenji Mizoguchi departed abruptly from his earlier sentimental films into a world of acute realism with this bold critique of the position of women in contemporary Japanese society.

Parade

Essays

Mar 31, 1991 In Jacques Tati’s final work, the physical borders of spectacle and audience are broken down through a variety of means.

Rebecca

Essays

Jul 1, 1990 Molded by Alfred Hitchcock’s direction and David O. Selznick’s editing, the film plays upon the conventions of the Gothic melodrama without ever losing its characters’ humanity.

Blowup

Essays

Dec 5, 1988 This existential thriller didn’t begin its life as a cannily trendy product of studio filmmaking, but rather as the very personal expression of the imagination of one of European art cinema’s greatest talents, Michelangelo Antonioni.

Jun 23, 2026 The only favor I ever asked of a twink was for tickets to see John Waters introduce two of his films. I was the sole trans filmmaker enrolled in my school’s program, and I felt it was my right to...

Jun 18, 2026 Over the course of his first three documentaries—Helvetica (2007), Objectified (2009), and Urbanized (2011)—Gary Hustwit established a clean and clear cinematic language that he used to describe the complex and often contradictory systems of thinking that designers use to shape...

Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Current Page
89
of 357

You have no items in your shopping cart