The Criterion Collection
Features
Oct 26, 2020 — The very first romantic kiss between men on American television happens in Marlon Riggs’s groundbreaking film Tongues Untied. That kiss is between two Black men, and one of them is Riggs himself. As of this writing, if you look up...
Production Notes
Oct 22, 2020 — 1. Jimmy Ringo, the protagonist of the 1950 western The Gunfighter, is based on real-life nineteenth-century outlaw John Peters Ringgold, better known as Johnny Ringo. One of Tombstone, Arizona’s most notorious gunslingers, he also served as the model for the...
Oct 20, 2020 — Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...
The Daily
Oct 19, 2020 — The irrepressible spirit of Pasolini wafts in and out of this month’s round.
Features
Oct 16, 2020 — First Person One of the internet’s more delightful creations is a compilation of Aaron Sorkin quotes assembled by a man named Kevin Porter in 2012. Its purpose is to expose the screenwriter’s propensity for repetition. Some of the examples, plucked...
Oct 15, 2020 — Songbook According to Kraftwerk member Wolfgang Flür, it was toward the end of the group’s first U.S. tour when his bandmates Ralf Hütter and Florian Schneider grew fascinated by the phenomenon of American radio. Their time in the States had...
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...
The Daily
Oct 9, 2020 — This week we’re revisiting Irma Vep, more than a century of animation, and the work of Jean-Luc Godard and Michael Snow.
The Daily
Oct 8, 2020 — The poetic portrait of a mother struggling to reunite her family won a documentary directing award at Sundance.
The Daily
Oct 2, 2020 — This wild week we’re celebrating William Greaves, watching Denis Lavant dance, and listening to Léonce-Henry Burel’s juicy stories about Robert Bresson.