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The Way I See It

Jun 21, 2012 The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...

Jul 12, 2011 Naked is the angriest, most bitterly critical attack on the false values of society that Mike Leigh, Britain’s constant chronicler of the tragic comedy of desperate lives, has ever made. Its audacity is that the attack is mounted through a...

Oct 27, 2009 Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...

Oct 24, 2005 When Samurai Rebellion premiered, on May 27, 1967, the original Japanese title was Joiuchi—hairyo tsuma shimatsu, which means something like Rebellion—Receive the Wife. This title indicates the two concerns of the film: the social impact of an unheard-of act of...

Sep 19, 2005 When I was a teenage cinephile, in the mid-1970s, Masculin féminin was enormously significant to me. It repre­sented France’s nouvelle vague of the sixties, with its youthful, anarchic spirit of freedom and spontaneity. It was in black and white and...

Orpheus

Essays

Apr 24, 2000 When I make a film, it is a sleep in which I am dreaming. Only the people and places of the dream matter. I have difficulty making contact with others, as one does when half-asleep. If a person is asleep...

Feb 7, 2025 The week brings fresh appreciations of Sara Gómez, Frederick Wiseman, Andrei Tarkovsky, Vittorio De Sica, and David Lynch.

The Creative Drive

The Daily

Feb 17, 2023 This week: Mike Leigh in the 1980s, a trip to Ghibli Park, and Apichatpong Weerasethakul on virtual reality.

May 29, 2020 This week we’re learning about one of the world’s first tracking shots and catching up with Guy Maddin, Lewis Klahr, Sarah Cooper, and Steve Buscemi.

Apr 1, 2024 The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.

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