The Criterion Collection
The Daily
Sep 23, 2024 — Anniversary screenings of The Babadook, Ed Wood, and The Texas Chain Saw Massacre are among this year’s highlights.
Interviews
Aug 19, 2020 — An atmospheric tale of seduction and dread in Venice, The Comfort of Strangers (1990) came to Paul Schrader as a project in need of a director, with a completed screenplay by Harold Pinter, faithfully adapted from Ian McEwan’s acclaimed novel....
The Daily
May 20, 2025 — Four lives begin anew in Petzold’s first film to premiere in Cannes.
Aug 22, 2024 — This year, Bologna’s annual feast of restorations and rediscoveries showcased one of the most ambitious masterpieces of the silent era, the melodramas of Japanese filmmaker Kozaburo Yoshimura, and other treasures of film history.
Features
Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...
The Daily
Feb 12, 2018 — Before looking ahead to some of this week’s highlights city by city, we have some festival news to see to. The Venice International Film Festival has announced that Guillermo del Toro (The Shape of Water) will preside over the International...
Sneak Peeks
Mar 31, 2016 — Since its initial release more than half a century ago, Vittorio De Sica’s Bicycle Thieves has been lauded as one of cinema’s greatest achievements. Loosely adapted from a novel by Luigi Bartolini, the film centers on a father’s quest—with his...
Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.
Oct 19, 2010 — With Seven Samurai, Akira Kurosawa set out to debunk some of the more inflated myths that had attached themselves to the samurai.
Sep 19, 1994 — The French do not have to take crash courses in order to deal with the man/woman thing. It is in their blood and in their civilization. Hence, they do not have to compensate for a habitual sexism with extravagant portraits...