The Imp

Sep 29, 2014 — We were saddened to learn of the death of our dear friend Peter von Bagh. The seventy-one-year-old Finnish film director, historian, writer, and programmer (he cofounded the world-renowned Midnight Sun Film Festival in Sodankylä and was the artistic director of...

Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...

Jul 27, 2011 — A sure sign that fall is coming: the Venice and Toronto film festivals (August 31–September 10 and September 8–18, respectively) have begun to announce their lineups. As usual, the schedules of these two important world-cinema showcases share some titles, destined...

Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.

Dec 21, 2008 — André Bazin has a curious status in intellectual life. He is everywhere admitted as the founding father of film criticism and theory in general. The magazine he created in the 1950s, Cahiers du cinéma, has good claim to be the...

Sep 3, 2007 — I’m on a flight back from the Telluride Film Festival and two and a half great days in the mountains. Telluride has been an important festival for Criterion and Janus for years. It’s a great opportunity to mingle with filmmakers...

Jan 3, 2023 — With lists, polls, and remembrances, we look back once again to the year that was.

Dec 11, 2020 — A new Film Quarterly, a Reverse Shot symposium, and the return of Artavazd Pelechian are among this week’s highlights.

Apr 30, 2009 — The following article, based on an interview with Nagisa Oshima conducted by Katsue Tomiyama in April 1983, first appeared, in slightly longer form, in the Japanese magazine Image Forum. Tomiyama is a film producer and cofounder of Image Forum, and...

Jun 23, 2008 — Five years of increasingly horrific news from the former Yugoslavia made Milcho Manchevski’s searing yet lyrical film timely to a degree that few filmmakers have ever achieved.