The Criterion Collection
May 31, 2017 — New Taiwan Cinema master Edward Yang’s sophomore feature explores the conflict between tradition and modernity reflected in a relationship on the rocks.
Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.
Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.
In Theaters
Sep 6, 2012 — Repertory PicksStarting this week, the University of Wisconsin-Madison Cinematheque joins forces with the university’s Chazen Museum of Art to cast a spotlight on Italian art. In conjunction with the Chazen’s exhibition Offering of the Angels: Paintings and Tapestries from the...
Dec 6, 2011 — The Lady Vanishes (1938) is the film that best exemplifies Alfred Htchcock’s often-asserted desire to offer audiences not a slice of life but a slice of cake. Even Claude Chabrol and Eric Rohmer, in their pioneering study of Hitchcock, for...
Jun 21, 2011 — Chains: Bound for Glory Film history is replete with artists embraced by critics but misunderstood by the public. For Italian filmmaker Raffaello Matarazzo, it was the opposite. After working for almost two decades as a midlevel studio director of pictures...
Mar 15, 2011 — The site of Louis Malle’s film Au revoir les enfants was the Petit-Collège d’Avon, a residential prep school located on the grounds of the Carmelite monastery abutting the park of the fabled French palace of Fontainebleau. Malle attended this school...
Nov 27, 2010 — The New Jersey resort town of Atlantic City provides the backdrop for two distinctive films made at opposite ends of the seventies: Bob Rafelson’s 1972 The King of Marvin Gardens and Louis Malle’s Atlantic City, released in 1981. That decade...