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Say One for Me

May 23, 2023 In one of her most moving explorations of youth, Céline Sciamma offers the gently radical and reparative chance for a mother and child to share a perspective.

Aug 20, 2021 The author of Velvet Was the Night pays tribute to the shockingly stripped-down, dread-inducing use of silence in Jean-Pierre Melville’s masterful neonoir.

Dec 15, 1986 It has been estimated that one out of four feature films made in America before the mid-1960s was a western. Since approximately 35,000 features were released in this country in the 70 years after the introduction of film, this would...

Feb 25, 2025 Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.

Mar 21, 2024 Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).

Resonant Hauntings

The Daily

Nov 10, 2023 Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.

Nov 18, 2022 Nikyatu Jusu, Douglas Sirk, Mike De Leon, Donald Sutherland, and Sam Raimi are on our minds this week.

October Books

The Daily

Oct 20, 2021 The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.

Sep 28, 2021 Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.

Nov 25, 2020 A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...

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