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In Gefahr und größter Not bringt der Mittelweg den Tod

Jun 21, 2017 Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...

Jun 5, 2017 Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...

Jun 2, 2017 A new online quarterly, Film Colossus, has launched with an issue focusing on movie endings. Travis Bean cites Clayton Dillard’s interview with Apichatpong Weerasethakul that ran in Slant last year, specifically the Thai filmmaker’s observation that “there are really two...

May 21, 2017 Sea Sorrow, premiering Out of Competition at the Cannes Film Festival, is Vanessa Redgrave’s directorial debut. “A heartfelt, formally messy documentary about the international refugee crisis, the movie is largely a plea for compassion and action,” writes Manohla Dargis in...

May 18, 2017 “Like a Judd Apatow thriller or a Michael Haneke kids flick, the concept of a Claire Denis comedy at first sounds like a contradiction in terms,” begins Jordan Mintzer in the Hollywood Reporter. “After all, the 71-year-old French auteur, whose...

May 18, 2017 “Todd Haynes’s films, intellectually rigorous and often profoundly moving, are fractured stories in which alienated, beautiful characters try to find love (or a certain likeness) in the delicate folds of real life,” begins David Ehrlich at IndieWire. “All of this...

Apr 27, 2017 Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.

Apr 20, 2017 Programmer Michael Sragow and former Film Society of Lincoln Center program director Richard Peña discuss the holy grail of cinephile TV series and the legendary figures it profiled.

Anthony Asquith

Short Takes

Apr 10, 2017 Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.

Jan 11, 2017 A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.

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