The Criterion Collection
The Palme d’Or–winning director praises Catherine Breillat’s cinematic exploration of sexuality, talks about Gena Rowlands and John Cassavetes’s collaborations, and shares a story from the set of one of his films.
The director of The Right Stuff and The Unbearable Lightness of Being selects a group of films that he hopes will inspire him in his own work, including Amarcord, The Wages of Fear, Fanny and Alexander, and The Battle of...
The director of Something Wild reminisces about his encounters with John Cassavetes, Jean Renoir, and David Lean.
The director of Creep, The Overnight, and Corporate Animals calls Wings of Desire the film that made him want to make movies, talks about his belated discovery of All That Jazz, and pays tribute to Wes Anderson.
The writer-director talks about the Yasujiro Ozu classic that inspired his film Little Men, the underrated work of Francesco Rosi, the golden age of repertory cinema in New York City, and a college course in which he studied Shoah for...
The influential cinematographer talks about films that informed his visual style, praises the complexity and simplicity of Yi Yi, and analyzes the opening sequence of Krzysztof Kieślowski’s Three Colors: Blue.
The actor, who stars in Wes Anderson’s Asteroid City, highlights a Clu Gulager performance that the director recommended to him, recounts how his wife introduced him to An Unmarried Woman, and shares his mother’s favorite movie
The Oscar-winning costume designer of Phantom Thread—whose latest work can be seen in Bradley Cooper’s Maestro—reminisces about his enduring collaboration with Paul Thomas Anderson, shares his love for the artistry of Italian designers Piero Tosi and Milena Canonero, and talks...
The writer and director of Safe, Carol, and May December describes the influence that Brief Encounter and Beau travail have had on his work, praises classic Douglas Sirk movies as “the most perfect films ever made,” and gives a shout-out...
The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...