The Criterion Collection
The Daily
Jan 3, 2025 — We spent the holidays reading about Claude Sautet, Pascal Plante, and Christian Marclay.
Apr 24, 2024 — In this early-career gem from one of the most beloved Japanese animation directors of all time, an extravagant sci-fi narrative is anchored by the transcendent power of young love and poignant observations of modern life.
The Daily
Apr 5, 2024 — Léa Seydoux is the star of the week, and we’re also reading about Marguerite Duras, Juraj Herz, and Kinuyo Tanaka.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
Sneak Peeks
Dec 3, 2019 — A widely beloved Hollywood classic, All About Eve is justly famous for its impossibly witty dialogue, its dramatic twists and turns, and its note-perfect cast, led by Bette Davis as an imperious Broadway star, and Anne Baxter as a young...
Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...
On the Channel
Oct 30, 2017 — Just in time for Halloween, we’re musing on what it is that makes a movie frightening with the help of filmmaking duo Josh and Benny Safdie.
Visual Analysis
Nov 29, 2016 — In the first installment of our new video series Under the Influence, the Moonlight director waxes rhapsodic about Chungking Express and In the Mood for Love.
Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.
Mar 24, 2016 — With Edward Yang’s A Brighter Summer Day finally available in the U.S., screenwriter Hung Hung talks about his working relationship with Yang, the film’s truncated distribution and slow path to acclaim, and the real-life roots of its narrative.