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† His Return

Aug 14, 2020 Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.

Aug 13, 2020 The author and Tablet columnist has written a tight critical biography.

Jul 27, 2020 The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...

Jul 14, 2020 Bruce Lee seemed born to be on-screen. At three months old, he appeared as an infant in a Hong Kong movie called Golden Gate Girl (1941). After he died suddenly of cerebral edema in 1973 at the age of thirty-two,...

Coping

The Daily

Jul 14, 2020 We’d hoped to be making and watching movies in theaters again by now. That’s not happening, so now what?

Jul 7, 2020 The renowned composer of well over four hundred film scores was equally at home in avant experimentation and tear-jerking sentimentality.

Jul 6, 2020 The latest short film to take the spotlight on the Criterion Channel, Marnie Ellen Hertzler’s Dirt Daughter emerged from the collaboration of a vibrant community of artists. Not only was it produced by the innovative collective the Eyeslicer, which supports...

Jul 6, 2020 Kore-eda’s first feature shot outside of Japan also gives us the first pairing of Catherine Deneuve and Juliette Binoche.

Jul 3, 2020 A new issue of Cinema Scope, a State of Cinema address from Olivier Assayas, and the Ultimate Summer Movie Showdown are among this week’s highlights.

Jun 30, 2020 Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

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