The Criterion Collection
Essays
Jun 27, 2005 — Like his earlier adaptations of Terence Rattigan plays, Anthony Asquith’s late work is bereft of heavy-handed directorial flourishes.
Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...
May 19, 2026 — Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...
Features
Mar 26, 2026 — In her riveting documentary Mistress Dispeller, Elizabeth Lo crafts a vividly cinematic exploration of love, marital infidelity, and a drastic form of professional intervention that has become popular in contemporary China.
Dec 22, 2025 — The critic and curator talks about working on a program of films by trailblazing Black women directors, which opened at London’s BFI Southbank this year and is now playing on the Criterion Channel.
Dec 8, 2025 — BAM presents These Encounters of Theirs on 35 mm, and Pedro Costa screens and discusses movies in Copenhagen.
Essays
Apr 29, 2025 — Drawing from a rich tradition of films that depict the lives of sex workers, Sean Baker’s Oscar-winning triumph takes a complex approach to exploring the fundamentally transactional nature of human relationships.
Essays
Apr 29, 2025 — A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.
The Daily
Nov 22, 2024 — Powell and Pressburger, Cassavetes and Rowlands, Robert Frank, Catherine Breillat, John Waters, Babette Mangolte, Sergei Loznitsa . . .
The Daily
Nov 8, 2024 — This week offers revivals of overlooked films by Antonioni and Alan Rudolph and conversations with Garrett Bradley and Paulo Branco.