The Criterion Collection
Essays
Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.
The Daily
Nov 28, 2023 — Past Lives came out on top in New York, while Stonewalling triumphed in Taipei.
Essays
Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...
The Daily
Mar 2, 2023 — This year’s lineup blends world premieres with fresh arrivals from Berlin and Sundance.
Features
Nov 30, 2021 — Lost films are not the only tragedy of the silent age. It’s time that we counted up all the forgotten stories, and the overlooked connections as well. The truth is that lost films and lost memories can’t be separated. One...
Essays
Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.
Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...
Aug 10, 2020 — A slyly feminist film by the only woman directing in the Hollywood studio system of her thirties-and-early-forties heyday, Dorothy Arzner’s Dance, Girl, Dance stands as one of the era’s most groundbreaking—and entertaining—backstage sagas. And as it turned out, a different...
The Daily
May 31, 2019 — Chinese poets and American and English novelists figure prominently in this week’s round.
May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...