The Criterion Collection
Sep 3, 2007 — As the opening credits for Night on Earth begin to roll, we are informed that the film is a Locus Solus Production. A curious name, no doubt unfamiliar to most people, but one that reveals a great deal about Jim...
Sep 3, 2007 — Very few movies count as truly significant milestones in the development of American “indie” cinema during the last quarter of the twentieth century. They include Eraserhead (1977) and Return of the Secaucus Seven (1979), as early trailblazers; She’s Gotta Have...
Jul 23, 2007 — It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.
Jul 9, 2007 — Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.
Essays
May 21, 2007 — In January 1948, British film producer Sir Alexander Korda, head of British-Lion and London Film Productions, commissioned novelist Graham Greene to write and research “an original postwar continental story to be based on either or both of the following territories:...
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.
Production Notes
Jan 17, 2007 — This week, Border Radio was released on DVD. The film is the post-UCLA film school project of first-time directors Allison Anders, Kurt Voss, and Dean Lent. Yesterday, we got a note from a fan who wrote a really thoughtful, personal...
Oct 23, 2006 — Throughout the sixties and seventies, the Italian director created a series of political dramas that were at once provocations, exposés, puzzles, and acts of virtuosity.
Aug 14, 2006 — La collectionneuse is a strong, sensuously lush, deceptively slight film, a Riviera fruit with a bitter, uncompromising aftertaste. In retrospect, it is both classically Rohmeresque and atypical, as befits a film in which the director was still finding his way....
Aug 14, 2006 — The Bakery Girl of Monceau and Suzanne’s Career are not Eric Rohmer’s first films. By 1963, he had made several shorts and one feature, Le signe du Lion. Yet these two short works—with their meticulously charted Paris locations; their semidocumentary...