The Criterion Collection
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
The Daily
Oct 11, 2022 — One mystery leads to the next over the course of twelve chapters split into two features.
Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.
The Daily
Oct 6, 2022 — Once again, the New York Film Festival presents not one but two new films by Hong Sangsoo.
Oct 3, 2022 — The new feature from the makers of Leviathan explores the inner workings and landscapes of the human body.
The Daily
Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).
The Daily
Sep 28, 2022 — Vicky Krieps stars in an irreverent reimagining of a year or so in the life of Empress Elisabeth of Austria.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.
Sep 28, 2022 — This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.