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Still Human

Nov 19, 2007 In 2003, on the occasion of the Cinémathèque française’s complete retrospective of Ingmar Bergman’s work, ten filmmakers were invited to present one of his films that had a significant effect on them. Controversial French director Catherine Breillat (Fat Girl) selected...

Nov 19, 2007 Ingmar Bergman made some outstanding films before Sawdust and Tinsel (1953). But that film, released in America under the meretricious title The Naked Night—and known in Sweden as The Clown’s Evening—was the first that no other director could have made....

Oct 15, 2007 One of Spain’s most acclaimed and prolific directors, Carlos Saura emerged as an artist in the late 1950s under Franco’s dictatorship and immediately made his mark as an incisive, if necessarily allusive, social and political commentator.

Sep 17, 2007 Today we are used to seeing dance artistically presented on television and in movies—these films about Martha Graham helped to make that happen.

Sep 3, 2007 Iwas a cab driver once myself (in Los Angeles, in the mid-1970s), and I’ve been sensitive ever since to how the profession is portrayed on the screen. As it happened, I was driving a cab when Taxi Driver came out,...

Aug 20, 2007 Luis Buñuel’s only work to be devoted entirely to Catholic dogma itself examines the six primary mysteries of the faith and the objections (or heresies, depending on your view) they have inspired.

Jul 9, 2007 Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.

Jul 9, 2007 Set almost entirely in a single house, Hiroshi Teshigahara’s eloquent collaboration with writer Kobo Abe shows both his powerful staging and his love of fine, almost microscopic, detail.

Jun 25, 2007 Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.

Jun 18, 2007 The audacious and outrageous political comedy by Yugoslav filmmaker Dušan Makavejev jolts viewers out of complacency and encourages freedom, creativity, and bliss.

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