The Criterion Collection
May 19, 2018 — The full list of awards and a look back at what many consider to be the strongest edition in years.
The Daily
May 17, 2018 — High praise for the Korean director’s first film in eight years.
The Daily
May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
The Daily
May 14, 2018 — A fable, a social critique, and a frontrunner for the top prize.
May 14, 2018 — In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.
The Daily
May 12, 2018 — The five-part essay film is “infused in equal measures by despair and aspiration.”
The Daily
May 10, 2018 — The underground scene of Leningrad in the early 80s is the real star here.
Features
May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.
On the Channel
May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.
The Daily
May 1, 2018 — Cairo is “the city that made me what I am,” says Tamer El Said.