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Short Films:

The Players

The Daily

Dec 9, 2023 This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Dec 5, 2023 A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...

Dec 1, 2023 The best-of-2023 listing begins, plus: Abel Gance, Elisabeth Subrin, Pedro Costa, and Park Chan-wook.

Nov 30, 2023 A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.

Nov 22, 2023 Quite an emotional range this week, from musicals and romantic comedies to the terror of nuclear war.

Nov 9, 2023 The subtitle of the series Yasmina Price has programmed for BAM: Cinema, Surrealism, Marxism.

Nov 7, 2023 By the end of the 1970s, everything had changed for Jackie Chan. He had cowritten, directed, and starred in The Fearless Hyena, which became the top-grossing Hong Kong film of 1979. His next project, The Young Master, would top that...

Nov 6, 2023 Paul B. Preciado’s Orlando, My Political Biography begins its theatrical run across North America.

Oct 31, 2023 With the full force of her imagination, director Nikyatu Jusu examines the complicated nature of Black motherhood, as well as the importance of Black communion as an antidote to racial oppression.

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