The Criterion Collection
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Jun 21, 2018 — I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...
The Daily
Jun 20, 2018 — A Motion Selfie is a wryly comic silent film made by a crew of one.
Jun 12, 2018 — Among the six movies Lino Brocka directed between 1974 and ’76, there were three landmark works that changed the course of his career and that of Philippine cinema: Weighed but Found Wanting (1974), Manila in the Claws of Light (1975),...
Jun 8, 2018 — Both Italian directors broke from neorealism to head off in entirely different directions.
May 31, 2018 — Back in 1977, when One Sings, the Other Doesn’t premiered at the New York Film Festival, Molly Haskell wrote that Agnès Varda’s radical feminist musical had done “for the spirit of sorority what the films of Renoir and Truffaut have done...
On the Channel
May 24, 2018 — In the 1940s, legendary British filmmaking duo Michael Powell and Emeric Pressburger took the eye-popping, beautifully saturated palette of Technicolor to delirious new heights. For this month’s episode of Observations on Film Art, now playing on the Criterion Channel on FilmStruck, scholar Kristin Thompson explores...
May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.