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Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.

Dec 11, 1989 — Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.

Jun 13, 1988 — G. W. Pabst lends humanity and depth to his adaptation of a play by Bertolt Brecht—one of the last great works of German cinema's richest period.

May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...

Mar 7, 1988 — A low-key mood study about a broken-down carnival strongman and his half-wit assistant traveling through the bleak backwaters of post-war Italy catapulted Federico Fellini to the front ranks of that country’s greatest filmmaking talents.

Feb 29, 1988 — Marx Brothers aficionados have argued for years over the relative merits of A Night at the Opera and the “purer” Marx movies such as Duck Soup. Certainly there’s no comparison on a point-by-point basis: Duck Soup is a classic of...

Feb 8, 1988 — Sidney Lumet’s courtroom drama explores the process of law in human hands, where prejudice, fear, weakness, and even weather can divert the carriage of justice.

Dec 6, 1987 — Mike Nichols’s treatment of a young man’s initiation into the mysteries of sex at the hands of an older married woman has become a model for this common fantasy.

Dec 15, 1986 — It has been estimated that one out of four feature films made in America before the mid-1960s was a western. Since approximately 35,000 features were released in this country in the 70 years after the introduction of film, this would...

Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.