The Criterion Collection
Mar 28, 2019 — Flashbacks No filmmaker of his generation from Eastern Europe could match the charisma and originality of Dušan Makavejev. Forever bustling from festival to festival with his inspiring wife Bojana Marijan—who contributed to the sound and music on many of his...
The Daily
Mar 27, 2019 — Twenty-four features by some of the world’s most promising directors are screening in New York through April 7.
The Daily
Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.
Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...
The Daily
Mar 25, 2019 — The writer, producer, and director packed trenchant satire into his genre-hopping B-movies.
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
Mar 20, 2019 — Anatomy of a Gag Harold Lloyd may not have had the melancholy disposition of his silent-clown competitors Charlie Chaplin and Buster Keaton, but he knew how to introduce elements of menace and peril into his comedies in a way that...
The Daily
Mar 15, 2019 — Featured in this week’s round: Edgar G. Ulmer, Stanley Kubrick, Jia Zhangke, and Guy Maddin.
Sneak Peeks
Mar 13, 2019 — Ingmar Bergman was a master of both screen and stage, and in his 1975 version of The Magic Flute, he merged the two mediums to enchanting effect. He couldn’t have chosen more inspiring material to showcase his gift for capturing...
The Daily
Mar 13, 2019 — Women’s stories are central to five of the six top prize winners.