We

Aug 8, 2023 — Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.

Aug 3, 2023 — Starting Friday, New York’s Metrograph will screen new restorations of Gueule d’amour (1937) and The Strange Mister Victor (1938).

Aug 1, 2023 — “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Jul 28, 2023 — This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

Jul 25, 2023 — A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.

Jul 25, 2023 — Venice packs more than a few surprises, and Toronto’s announced sixty Gala and Special Presentations.

Jul 25, 2023 — The protagonists in Budd Boetticher’s five classic Columbia westerns are paired with opponents who, venal though they may be, almost always have their reasons.

Jul 25, 2023 — In his five collaborations with actor Randolph Scott and producer Harry Joe Brown, Boetticher presents an unsentimental vision of honor-bound men competing and banding together in a desolate landscape ruled by chance.

Jul 21, 2023 — Names in the news this week: Agnès Varda, Hayao Miyazaki, Jafar Panahi, Savanah Leaf—and Bree Daniels.

Jul 21, 2023 — Cillian Murphy plays the man who, as Nolan puts it, “gave the world the power to destroy itself.”