The Criterion Collection
May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.
Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
Essays
Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.
Essays
Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Essays
Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.
Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.