The Criterion Collection
Essays
Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.
The Daily
Dec 4, 2024 — For the New York Film Critics Circle, Brady Corbet’s third feature is the best film of the year, but not everyone agrees.
The Daily
Nov 27, 2024 — The week offers evasive icons, an archive to rummage through, and a great but overlooked critic.
The Daily
Oct 31, 2024 — The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”
The Daily
Oct 21, 2024 — Nick Newman presents A Tale of Autumn (1998) and The Chasers (1959) on Tuesday evening.
The Daily
Oct 8, 2024 — Telling a love story in three parts spanning more than twenty years, Jia offers a summing up before he turns a new page.
The Daily
Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.
The Daily
Oct 2, 2024 — The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
The Daily
Sep 19, 2024 — Early reviews of the adaptation of a William S. Burroughs novel starring Daniel Craig run hot and cold.