The Criterion Collection
Essays
Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.
Sneak Peeks
Mar 12, 2014 — Rarely does a director go into much detail about what he thinks doesn’t work about one of his own films, but Steven Soderbergh got candid with us in an interview about his disappointment with his 1995 film The Underneath—which he...
Jan 24, 2014 — Did You See This?• Weekend’s Andrew Haigh comes to HBO. • At the Oscars, more is less, says Mark Harris. • The Big Apple, Scorsese-style • Neil Bartlett on Derek Jarman • Richard Linklater’s most dazzling time experiment yet? •...
This Belgian visionary took a profoundly personal and aesthetically idiosyncratic approach to film form, using it to investigate geography and identity, space and time, sexuality and religion.
Features
May 26, 2011 — Last month, a new art-house theater opened here in Austin, the Violet Crown Cinema. (Our city has several pet names, and one of them is the City of the Violet Crown. Why it’s called that has been completely lost to...
Interviews
Feb 2, 2011 — This interview was published in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the Toronto International Film Festival. The photograph appears courtesy of Colleen Murphy. We met on March...
Interviews
Sep 30, 2009 — Agnès Varda’s 1962 New Wave masterpiece Cléo from 5 to 7 has gotten a dramatic reinterpretation from Annie-B Parson and Paul Lazar, stage directors and founders of New York’s Big Dance Theater. Comme Toujours Here I Stand—which premiered in April...
Nov 27, 2008 — A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.
Sep 3, 2007 — Very few movies count as truly significant milestones in the development of American “indie” cinema during the last quarter of the twentieth century. They include Eraserhead (1977) and Return of the Secaucus Seven (1979), as early trailblazers; She’s Gotta Have...