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The Base

Apr 25, 2017 After a string of ill-fated productions, Francis Ford Coppola channeled his feelings of self-doubt in this deeply personal take on S. E. Hinton’s beloved novel.

Elms: A Cine-Essay

Sneak Peeks

Jan 27, 2015 Guy Maddin’s current filmmaking partner, the also Winnipeg-based Evan Johnson (with whom Maddin directed his upcoming feature, The Forbidden Room), created four original short “cine-essays” as supplements for Criterion’s release of Maddin’s My Winnipeg. Below is one of them, titled...

Dec 3, 2014 “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...

Apr 21, 2014 A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

Oct 7, 2013 René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.

Aug 16, 2011 “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...

Apr 14, 2011 Performances Roberto Rossellini is not often discussed as a director of actors, and Vittorio De Sica is remembered less as a performer than as a filmmaker. Il generale della Rovere, Rossellini’s searing World War II morality drama from 1959 featuring...

Jun 23, 2010 “Wittily written and spare as a coded message . . . The year’s most perilous ride . . . , we wouldn’t exchange it for a season’s commutation ticket on most of the similar vehicles running out of Hollywood.” So...

Sep 19, 2005 Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

Elena Lazic is a French freelance film writer based in London, and the founder and editor of the online film magazine Animus. She has written for Sight & Sound, Little White Lies, MUBI’s Notebook, the Guardian, and Cahiers du cinéma,...

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