That’s My Man

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Oct 26, 2022 — The ’80s Horror collection now playing on the Criterion Channel brings together some of my favorite films from a time when the horror genre took on strange and thrilling new forms. When I began programming it, my thoughts drifted back...

Sep 9, 2022 — New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.

Aug 26, 2022 — Louise Brooks, Marguerite Duras, Lucrecia Martel, and Jacquelyn Mills headline this week’s roundup.

Jun 22, 2022 — The long, quietly tense opening minutes of L’eclisse offer a blueprint for filmmakers looking to craft a devastating breakup scene.

May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.

Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.

Apr 8, 2022 — One Scene An acclaimed production designer with a knack for creating lushly romantic and historically realistic settings, Inbal Weinberg began her career in the 2000s and has since worked on a number of visually dazzling films, including Cary Joji Fukunaga’s...