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Dec 13, 2022 — MoMA presents newly restored and preserved work by Ozu, Lubitsch. René Clair, Paul Leni, and more.

Dec 1, 2022 — During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...

Dec 1, 2022 — Three complementary series in New York will serve as tributes to Jean-Luc Godard and Jean-Marie Straub.

Nov 23, 2022 — Featured in this month’s roundup: Maya Deren, Joyce Chopra, Michael Almereyda, Nabokov, Pasolini, and Miyazaki.

Nov 15, 2022 — A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.

Nov 14, 2022 — Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.

Nov 10, 2022 — Film Forum presents a survey featuring work by Edward Yang and Hou Hsiao-hsien as well as Second Wavers Ang Lee and Tsai Ming-liang.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

Oct 12, 2022 — In one of Brazil’s largest favelas, women create their own underground economy.