Our Day

Aug 31, 2020 — Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.

Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...

Aug 28, 2020 — This week’s highlights feature paintings brought to life, pioneering citizen journalists, early “race films,” and the first Japanese wave.

Aug 28, 2020 — One severe pan, a good handful of raves, and a set of fence-straddling reviews recommending that viewers go ahead and proceed—but with caution.

Aug 27, 2020 — In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...

Aug 25, 2020 — The NYFF presents its inaugural Currents lineup, and the Berlinale’s acting awards are going gender-neutral.

Aug 25, 2020 — Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...

Aug 24, 2020 — “Temporal pincers” aside, this two-and-a-half-hour puzzler may be easier to follow than you might expect.

Aug 21, 2020 — A free film school in a French banlieue, a nineteenth-century inventor, and a lesbian classic are among this week’s highlights.

Aug 14, 2020 — Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.