One Shot

May 29, 2024 — Berlin’s Kino Arsenal presents a series focusing on nature and the nonhuman in cinema.

May 28, 2024 — In Karyn Kusama’s award-winning feature debut, Michelle Rodriguez delivers a smoldering performance as a young woman who finds in boxing a container for her grief, loss, and rage.

May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.

May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

May 20, 2024 — The cinematographer has reunited with Andrea Arnold for Bird and with Yorgos Lanthimos on Kinds of Kindness.

May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.