The Criterion Collection
Oct 20, 2021 — This uncanny tale of existential anxiety stands out as the most rigorously pared-down American science-fiction film of the 1950s.
Sep 14, 2021 — A staple of 1980s British cinema, Neil Jordan’s crime drama considers the slippery characters that inhabit the London underworld.
Essays
Jul 20, 2021 — Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.
Jan 28, 2021 — Deep Dives Domestic work offers both an agonizing ennui and the satisfaction of a necessary task being completed. In the 1981 documentary Clotheslines, filmmaker Roberta Cantow mines these two moods, as well as the subtler emotions that fill the distance...
Sep 10, 2020 — In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
On the Channel
Jun 10, 2019 — The growing presence of unabashed queerness in contemporary culture makes the past seem comparatively drained of it. But it was always there. There’s often a queer history that lies beneath our accepted mainstream hetero narratives. When excavated, these histories can...
The Daily
Feb 12, 2019 — The competition is struggling as China yanks one film and theater owners threaten another.
The Daily
Jun 21, 2017 — Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...
Jan 2, 2017 — With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.