Kill

Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...

Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...

Oct 15, 2019 — The witch has a long history in Western cinema. Nowadays, we tend to associate her with horror, but early depictions resist easy categorization. She appeared in American silent films as early as 1908 (in a short called The Witch). The...

Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.

Sep 19, 2019 — Reteaming with Pedro Almodóvar, the Spanish star delivers a performance all the more powerful for its restraint.

Aug 29, 2019 — Catherine Deneuve and Juliette Binoche star as a mother and daughter clashing over contrasting versions of their past.

Aug 27, 2019 — In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...

Aug 1, 2019 — A new book and film series survey the many varied ways filmmakers from outside the country have viewed America.

Jul 30, 2019 — The New York Film Festival has landed the world premiere of The Irishman—and Scorsese is already at work on his next feature.

Jul 26, 2019 — This week’s round features conversations with Abbas Kiarostami, Christopher Doyle, Julia Loktev, and Barry Jenkins.