Go and Get It

May 14, 2020 — Sorely missing the festival this year, filmmakers and critics swap memories and reflections.

Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Jun 11, 2019 — In the mid-1970s, a poet’s circus rolled through the northeast, manifesting the spirit and confusion of the era.

Dec 21, 2018 — New issues of Senses of Cinema and cléo this week, but also healthy seasonal doses of anxiety and lamentation.

Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.

Aug 8, 2018 — The concrete bunker looms up surreally from the rolling green countryside, a huge brutalist fortress sprouting from a hillside thick with wildflowers. This is the Library of Congress’s National Audio-Visual Conservation Center in Culpeper, Virginia, also known as the Packard...

Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.

Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.

Feb 18, 2018 — “Nymphetmania has a long and hoary pedigree in Hollywood, and flourished years before Nabokov gave us the Lolita syndrome,” writes Molly Haskell in the Guardian. “D. W. Griffith’s child-woman ingénues such as Lillian Gish and Mae Marsh were ‘pseudo-nymphets’ (critic...