The Criterion Collection
The Daily
Jan 24, 2022 — Two new books on the wildly inventive comedian and filmmaker make a complementary pair.
The Daily
Jan 21, 2022 — This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.
The Daily
Jan 19, 2022 — The competition will premiere new work from Hong Sangsoo, Claire Denis, Ursula Meier, Denis Côté, Ulrich Seidl, and Paolo Taviani.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
The Daily
Jan 13, 2022 — Berlin announces a “new concept” for this year’s in-person edition, Sundance adds two films, and Slamdance will launch a Channel.
Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.
The Daily
Jan 6, 2022 — With the Omicron wave on the verge of peaking, Sundance calls off this year’s in-person events.
The Daily
Jan 4, 2022 — A thread runs from the Truffaut season in the UK through the Rivette retrospective in Paris to the first feature directed by Juliet Berto.
Dec 26, 2021 — As the holiday season begins to wind down, we’re proud to close out another year in our online magazine by looking back at a few of our favorite essays and interviews.
Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.