Beautiful

Jun 14, 2017 — A tireless explorer of cinema’s discarded past, Bill Morrison brings his unique approach to found-footage filmmaking to his latest project, a documentary about lost reels of nitrate film found in Canada’s Yukon Territory.

Jun 13, 2017 — Film Quarterly has not only a new issue but also a new site. In her opening editorial, B. Ruby Rich, who, as noted the other day, will be in London from June 22 through 25 for the series of screenings...

Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.

Jun 12, 2017 — “As incredible as it seems,” write Cristina Álvarez López and Adrian Martin in the new issue of Sight & Sound, “Philippe Garrel, at the precocious age of 16, had already sketched most of the now familiar elements of his cinematic...

Jun 7, 2017 — The Spanish filmmaker, whose short film Mystery is featured on the Criterion Channel, discusses his love for Luis Buñuel and the influence of Catholicism on his worldview.

Jun 5, 2017 — Known for playing sexy noir toughs, Ralph Meeker underwent a startling transformation as the anguished, slovenly male lead in Jack Garfein’s psychological drama.

Jun 1, 2017 — “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...

Jun 1, 2017 — Earlier this spring, Ryuichi Sakamoto gave an exquisitely intimate concert at the Park Avenue Armory in New York. Surrounded by a small audience in the venue’s opulent Veterans Room, the renowned Japanese composer was positioned in the center of the...

Jun 1, 2017 — Suffused with a quiet radiance, this Kazakh New Wave masterpiece grapples with cultural displacement through an allegorical tale of vengeance.

May 27, 2017 — “Some filmmakers rust during periods of inactivity,” begins Guy Lodge in Variety. “Lynne Ramsay arches and tenses, lying in wait like an attack dog. And attack she does, though not in all the expected ways, in her astonishing fourth feature...