The Criterion Collection
Essays
Oct 24, 2019 — With deafening footfalls and an earsplitting roar, Gojira, known in the West as Godzilla, first thundered into Japan’s movie houses on November 3, 1954. Six and a half decades later, the monster presides over an international entertainment franchise, having starred...
The Daily
Oct 11, 2019 — Highlighted this week are an alternative history, the state of the documentary, and the influence of Antonioni and Pialat.
Oct 7, 2019 — One Scene Japanese filmmaker Takashi Miike has directed more than a hundred features, and almost three decades into his career he’s showing no signs of slowing down. Throughout his ferocious, often controversial body of work, he has contorted disparate genres...
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Oct 4, 2019 — When I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People....
On the Channel
Sep 30, 2019 — One of contemporary world cinema’s most exciting filmmakers, Christian Petzold has, over the past two decades, built up a spellbinding body of work that grapples with his native Germany’s turbulent recent history, and its traumatic aftershocks. Now on the Criterion...
Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...
The Daily
Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
The Daily
Sep 17, 2019 — Also this month: Hollywood stars writing and reading and a novel that reimagines the intertwined lives of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl.