The Criterion Collection
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Mar 27, 2018 — Back to Mulholland Drive “studies Lynch’s cult classic as a starting point for, and as an influence in, contemporary art,” writes Angelica Frey for Hyperallergic. “According to the book’s editor, the art critic and curator Nicolas Bourriaud, Lynch helped to...
Mar 27, 2018 — New German Cinema filmmaker Margarethe von Trotta shares her memories of working with Rainer Werner Fassbinder on the set of Volker Schlöndorf’s 1970 film Baal.
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Mar 26, 2018 — This is going to be an eventful week, and we can look forward to separate entries (New Directors/New Films, for example, opens on Wednesday) and more special screenings over the coming days. Let’s get started. New York. Screen Slate presents...
Mar 23, 2018 — Amy Poehler, seen above with Tina Fey in Sisters (2015), “will make her feature directorial debut with Wine Country, a Netflix comedy she will also star in and produce.” The Hollywood Reporter’s Borys Kit: “Poehler has assembled an all-star lineup...
Mar 20, 2018 — The careers of three iconic German artists—Bertolt Brecht, Rainer Werner Fassbinder, and Volker Schlöndorff—converged in this unflinching portrait of destructive genius.
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Mar 20, 2018 — For the London Review of Books, Gaby Wood writes about Nicholas Ray’s In a Lonely Place (1950) and the 1947 novel it’s based on by Dorothy B. Hughes. “When filming began, Ray was married to its female lead, Gloria Grahame;...
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Mar 18, 2018 — A24 is setting up an adaptation of Richard Wright’s 1940 novel Native Son, reports Deadline’s Mike Fleming Jr. “Pulitzer Prize-winning playwright Suzan-Lori Parks has written the script and celebrated conceptual artist Rashid Johnson will direct the film, which will take...
Mar 16, 2018 — Martin Scorsese talks with critic Kent Jones about some of the techniques that helped bring the film’s depiction of Gilded Age Manhattan to life.
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Mar 14, 2018 — Tilda Swinton will star in Apichatpong Weerasethakul’s next feature, reports Jordan Raup at the Film Stage. “Titled Memoria, it will mark the Palme d’Or-winning director’s first film shot outside Thailand, with a 2019 production planned in Colombia. ‘During the 70s...
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Mar 12, 2018 — After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...