Nov 11, 2002 A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.

Jul 9, 2001 Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.

Jun 18, 2001 Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.

Dec 18, 2000 Elegant humor cloaks despair in Luis Buñuel’s masterwork, wherein greedy characters flee their toxic lives and find refuge in the loneliness of dreams.

Nov 13, 2000 All the opening bands had finished playing, and it was time for the Stones to come out. The sun was still out and there was plenty of daylight left. The crowd had waited all day to see the Stones perform,...

Oct 30, 2000 Perry Henzell’s reggae-infused outlaw film reflects the political climate of the times, when anti-government movements were sweeping America and the world.

Brazil

Essays

Sep 27, 1999 While researching a book on the making of and the feud over the American release of Terry Gilliam’s Brazil, I read nearly every review published in the U.S., and saw very few that failed to describe the story as “futuristic”...

Feb 22, 1999 Flipping around the channels of late-night TV in my Tokyo apartment in 1984 I came across what seemed like a B movie from the ’60s. The studio: Nikkatsu. The star: Joe Shishido. The director: Seijun Suzuki. I was not at...

Jan 11, 1999 This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.

High and Low

Essays

Oct 12, 1998 Are there cultural purists still remaining who would argue that the “Westernized” title of Akira Kurosawa’s 1963 masterpiece—High and Low—throws polluted water on the cosmological fire of its given name: Tengoku to jigoku—literally, Heaven and Hell?Kurosawa’s once insisted-upon reputation as...

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