To Each His Own

Jan 25, 2023 — Critical favorites include new films by Ira Sachs, Roger Ross Williams, William Oldroyd, and Raine Allen-Miller.

Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Jan 19, 2023 — Critics list their most-anticipated films as Sundance opens with Rotterdam and Berlin hot on its heels.

Jan 9, 2023 — The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.

Dec 29, 2022 — Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .

Dec 14, 2022 — Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”

Dec 2, 2022 — We’re sorting through the Sight and Sound poll and reading about Paweł Łoziński, the Sankofa Collective, and the first films ever made.

Dec 1, 2022 — During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...

Nov 22, 2022 — Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.

Sep 14, 2022 — Always innovating, Godard was one of the most vital and influential figures in the history of cinema.