The Criterion Collection
Mar 18, 2009 — Writer, critic, and film lecturer Teruyo Nogami also served as one of Akira Kurosawa’s principal assistants. Hired as script supervisor on 1950’s Rashomon, Nogami went on to work on all of Kurosawa’s subsequent films, later chronicling their unique relationship in...
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Jan 21, 2008 — Lindsay Anderson’s adaptation of David Storey’s novel is a clenched fist of a movie that follows a professional Rugby League player who instinctively channels feeling through physical aggression.
Jan 21, 2008 — In September 1997, I saw Agnès Varda introduce a brand-new 35 mm print of her first feature film, La Pointe Courte (made in 1954), to an admiring audience at Yale University. More astonishing than the luminous black-and-white images was Varda’s...
Dec 4, 2006 — William Greaves’s masterpiece uses a single situation as the basis for a theme-and-variation structure that interrogates every aspect of the filmmaking process as well as the categories of fiction and documentary.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez
Mar 14, 2005 — A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...
Essays
Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema
Essays
Aug 18, 2003 — Ingmar Bergman’s chamber film is his most concentrated inquiry into the significance of religion, and of Lutheranism specifically.
Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.